Edouard Vuillard's Oil Paintings
	Edouard Vuillard Museum November 11, 1868-June 21, 1940. French painter.
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Here are all the paintings of Louis Le Nain 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
20520		A Farrier in His Forge (mk05)	Canvas,27 1/4 x 22 1/2''(69 x 57 cm)Acquired for the collection of Louis XVI in 1777
29261		A Visit to Grandmother	mk65 1640s oil on canvas 23x29"
91701		Besuch bei der Grobmutter	c. 1640(1640) Medium oil on canvas Dimensions 58 X 73 cm cjr
70131		Der Bauernwagen	Medium Oil on canvas Dimensions Deutsch: 56 X 72 cm
83089		Die Schmiede	Oil on canvas Dimensions 69 x 57 cm cyf
40463		Family of Country People	mk156 1640 Oil on canvas 113x159cm
45678		Farmer family in the parlor	mk186 1648 Paris muse you Louvre
45683		Farmer meal	mk186 1642 Paris muse you Louvre
67499		fransk bondkvinna	1625-50 se
33592		La Charette	mk86 1641 Oil on canvas 56x72cm Paris,Musee National du Louvre
55731		La Charette	mk244 1641 Oil on canvas 56x72cm
21560		La Charette (mk08)	1641 Oil on canva, 56x72cm Paris,Musee Natonal du Louvre
53830		Landscape with bondfolk	mk234 about 1640 47x57cm
1017		Landscape with Peasants	1640 The National Gallery of Art, Washington DC
57253		Peasant family	mk255 for in 1642. Oil painting, 1.13 x 1.59 meters. Paris, the Louvre
20511		Peasant Family in an Interior (mk05)	Canvas,44 1/2 x 62 1/2''(113 x 159 cm)Acquired in 1915
69784		Peasant Interior with an Old Flute Player	oil on canvas painting by Louis Le Nain, Kimbell Art Museum
20512		Peasant Meal (mk05)	1642 Canvas,38 1/4 x 48''(97 x 122 cm)Bequest of Dr.Louis La Caze 1869
33593		Peasants at their Cottage Door	mk86 undated Oil on canvas 55x68cm San Francisco
21561		Peasants at their Cottage Door,undated (mk08)	Oil on canvas 55x68cm San Francisco,The Fine Arts Museums of San Francisco,Californai Palace of the Legion of Honor
97952		Pygmalion and his statue	ce tableau est exposx au Salon de 1777, nx3. Medium oil on canvas cyf
20516		The Adoration of the Shepherds (mk05)	1630-1632 Canvas 113 x 55''(287 x 140 cm)Seized in the Revolution INV
40462		The Cart or Return from Haymaking	mk156 1641 Oil onwood 56x72cm
20513		The Cart or the Return from Haymaking (mk05)	1641 Canvas,22 x 28 1/4''(56 x 72 cm)Legacy received in 1879
20519		The Guard Romm (mk05)	1643 Canvas,46 x 54''(117 x 137 cm)Acquired in 1969
29360		The Milkmaid's Family	mk65 1640s Oil on canvas 20x23"
34288		The Milkwoman-s Family	mk91 1640s Oil on canvas 51x59
41050		The Milkwoman-s Family	mk159 1640s Oil on canvas 51x59cm
30574		The Peasant Family	mk68 Oil on canvas Paris c.1640 France
20518		The Pilgrims at Emmaus (mk05)	Canvas,29 1/4 x 36''(74 x 91 cm)Chapel of the Chateau de Rochambeau in Vendomois (until after 1948);Comte Andre de Montalivet;acquired for the Louvre in 1950
78010		Twee meisjes.	2nd quarter of 17th century Oil on canvas 41 x 30.3 cm (16.1 x 11.9 in) cjr
22539		Venus in the Forge of Vulcan (df01)	1641 Reims,Musee Saint-Denis
41049		Visit to Grandmother	mk159 1640s Oil on canvas 58x73cm
64280		young prince, c	1630 nant beaux-artses, muse'e des
81260		Zwei Madchen	Oil on canvas Dimensions 41 x 30.3 cm (16.1 x 11.9 in) cyf

Louis Le Nain

1593-1648 French Louis Le Nain Gallery French family of painters. Antoine Le Nain (b Laon, c. 1600; bur Paris, 26 May 1648) and his brothers Louis Le Nain (b Laon, c. 1600; bur Paris, 24 May 1648) and Mathieu Le Nain (b Laon, c. 1607; bur Paris, 26 April 1677) lived together and shared a studio in Paris. Since the studio was headed by Antoine, he is assumed to have been older than Louis. The brothers reputation rests on a number of paintings signed Le Nain, on the basis of which other paintings (but no drawings) have also been attributed to them. None of the signed paintings bears a Christian name, and there is no secure way of attributing works to the individual brothers, although many attempts have been made. Eighteenth-century sale catalogues, fearful of anonymity, effectively chose from the three names at random. Since the writings of Witt (1910) and Jamot (1922) in particular, it has been habitual to ascribe small paintings on copper to Antoine, and austere, larger peasant scenes to Louis. This division of hands will be found in almost all the subsequent literature on the artists, although it must be stressed that there is no evidence at all to support it. Great efforts have also been made to identify works by Mathieu, since he survived his brothers by nearly 30 years and presumably continued to paint after their deaths in 1648. However, no such activity after 1648 is securely documented, and none of the surviving works bears a date later than 1647; and the arguments for a separate Mathieu oeuvre, though cogent, should not be regarded as conclusive. The outstanding feature of the work of the Le Nain brothers, and the basis of their celebrity since the mid-19th century, is the artists treatment of the poor.

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